Albers14

14 features tonal parallel intervals, design by Meredith Eliassen, 2018.

Albers15

15 features experiment with intersecting color (middle mixture color) that would have been more successful using paper instead of ink; the result was too murky. According to Albers this exercise should illustrate a new deception the “fluting effect” found in a Doric column, which shows the illusion of volume. Fluting in architecture is the shallow grooves running vertically along a surface. The term typically refers to the grooves running on a column shaft or a pilaster, but need not necessarily be restricted to those two applications.

Albers16

16 features trail bead motif, design by Meredith Eliassen, 2018.

 

Albers17

17 features letterform “Q” with eye bead motif, design by Meredith Eliassen, 2018.

Shakespeare’s ability to create linguistic imagery established a symbolic connection between the color of green and the emotion of envy, yet green is also the color of paradise… the garden… growth… and the emergence of spring:

Merchant of Venice (II,ii,108) “How all the other passions fleet to air, As doubtful thoughts, and rash-embraced despair, And shuddering fear, the green-ey’d jealousy.”

Iago in Othello (III,iii,165) “O! beware, my lord, of jealousy; It is the green-et’d monster which doth mock The meat feeds on; that cuckold lives in bliss Who, certain of his fate, loves not his wronger; But, O! what damned minute tells he o’er Who dotes, yet doubts; suspects, yet soundly loves.”

Albers18

18 features Yerushalmi letterform of “tzadi” with trail bead motif, designed by Meredith Eliassen, 2018.

Albers19

19 features Sephardi letterform of ‘kopf” with ancient eye bead designed by Meredith Eliassen, 2018.

Albers20

20 features Tibetan letterform of “tsa” with ancient eye bead motif designed by Meredith Eliassen, 2018.

More free studies…

August 7, 2018

Albers 21

21 features Greek letterform of “upsilon” designed by Meredith Eliassen, 2018.

Albers 22

22 features a light green base color, design by Meredith Eliassen, 2018.

Albers 23

23 features a light blue base color, design by Meredith Eliassen, 2018.

Free studies… X Y Z

August 6, 2018

Mosaic millefiore glass bead motifs from the nineteenth century were made with ancient techniques developed in western Asia where composite case canes of preformed unites were fused together to create colorful complex designs.

Drawings8:6

24 features a light blue base color, design by Meredith Eliassen, 2018.

Albers 25

25 features a red base color, design by Meredith Eliassen, 2018.

Albers 26

26 features a mauve base color, design by Meredith Eliassen, 2018.

hungry rooster

“Hongry rooster don’t cackle w’en he fine a wum.” Words from “Uncle Remus and his Friends”(1892) and drawing by Meredith Eliassen, 2018.

associationof ideas

Lydia Maria Child (1802-1880) began her career almost two centuries ago, and some of her writing is dated, yet some resonates today in odd ways. She address the contradiction in American society as to whether to conserve of consume with her association of ideas. Child also offered this thought: The United States is a warning rather than en example to the world.” This odd group including a bird, bees, a squirrel, a whale, a wax doll, and a horse appeared in “Fanny’s Menagerie,” Rainbows for Children (Boston: Ticknor and Fields, 1847): 119-131. Design by Meredith Eliassen, 2018.

lucky spirit

Lucky Spirit design by Meredith Eliassen, 2018. Notecard

This summer I have decided to take a break and play with color using Josef Albers Interaction with Color. Though I am not using colored papers, as he recommended, I am exploring his exercises, and in the coming weeks I will share some results.

rosehip

Rosehip design by Meredith Eliassen, 2018.

Even in comparing these to designs employing the same colors, the colors show that they have different interactions.

For a wanderer…

July 14, 2018

lax soul quote

“The soul cannot rest in the landscape, no matter how fine.” Words from “In the Beginning was Love: Contemplative Words of Robert Lax,” edited with an introduction by S. T. Georgiou (2015), design by Meredith Eliassen, 2018.

Notecard

Summertime…

June 27, 2018

butterflies:flower

Two butterflies explore summertime, design by Meredith Eliassen, 2018.

Summertime Notecard

Summer lull…

June 25, 2018

yerba buena

In a quiet moment… a drawing of some neighborhood yerba buena by Meredith Eliassen, 2018.