Albers17

17 features letterform “Q” with eye bead motif, design by Meredith Eliassen, 2018.

Shakespeare’s ability to create linguistic imagery established a symbolic connection between the color of green and the emotion of envy, yet green is also the color of paradise… the garden… growth… and the emergence of spring:

Merchant of Venice (II,ii,108) “How all the other passions fleet to air, As doubtful thoughts, and rash-embraced despair, And shuddering fear, the green-ey’d jealousy.”

Iago in Othello (III,iii,165) “O! beware, my lord, of jealousy; It is the green-et’d monster which doth mock The meat feeds on; that cuckold lives in bliss Who, certain of his fate, loves not his wronger; But, O! what damned minute tells he o’er Who dotes, yet doubts; suspects, yet soundly loves.”

Albers18

18 features Yerushalmi letterform of “tzadi” with trail bead motif, designed by Meredith Eliassen, 2018.

Albers19

19 features Sephardi letterform of ‘kopf” with ancient eye bead designed by Meredith Eliassen, 2018.

Albers20

20 features Tibetan letterform of “tsa” with ancient eye bead motif designed by Meredith Eliassen, 2018.