Exploring Child’s animal landscapes
April 4, 2018
In a story featuring a strong Native American female character, Lydia Maria Child suggested that animals have alternative societies. This drawing of prairie dogs, inspired by the story “Willie Wharton,” is by Meredith Eliassen, 2018.
Lydia Maria Child’s fictional character of young Willie Wharton is sensitized to nature and creatures of the prairie including moles, squirrels, and prairie dogs. Child positioned children as closer to God, therefore, closer to nature. She also perceived that animals had indigenous societies. When Wharton brought a Native American girl home, he asserted, “She’s my girl. I found her.”
Child relied upon moral suasion to foster humanitarian awakening; she sought to reform with inherited literary genres. A family on the prairie sets aside contemporary biases to take in a Native American girl, and not understanding her cultural background, they treat her like a pet until her family came to collect her. While Child’s language seems racist by today’s standards, her logic was actually powerfully progressive for her times suggesting that you treat all living creatures with kindness.
During the Civil War, the U.S. Army’s California Volunteers deployed resources in response to the “General Order, No. 4,” issued on April 9, 1862, which supported a movement to kill adult male California Indians so that women and children could be sold into slavery for profit: “Every Indian captured in this district during the present war who has engaged in hostilities against whites, present or absent, will be hanged on the spot, women and children in all cases being spared.” As late as 1867, even after Congress passed the Thirteenth Amendment outlawing involuntary servitude, some vigilantes in far northern California continued the murdering, kidnapping and maintenance of an illicit slave trade in California Indians even as the sale of Chinese-American women into slavery continued.
In the story, Child reiterates a theme she earlier explored in The Little Girl’s Own Book, where she discourages children from taking non-domesticated animals in as pets:
“It is a good rule to keep only such animals as are happier for being domesticated; such as kittens, dogs, or pet lambs. I would not keep a robin shut up in a cage, for the price of fifty birds. Do what you can for him, you cannot make him half so happy as he would be abroad among the sunshine and the flowers. Canary birds must be kept in the house; because they came from the warm islands of Canary. And it would kill them to expose hem to our winter; but, kind little reader, if you have any feathered prisoners, which belong to our own climate, I beg of you to open the door and let them fly the first bright day the next spring. I have likewise an objection to keeping rabbits and squirrels; because I am sure they are not so happy as they would be in their native woods.”
Sources: Lydia Maria Child. “Willie Wharton” Atlantic Monthly 11 (March 1863): 324-345 and “On Keeping Animals,” The Little Girl’s Own Book. New York: Edward Kearney 1843: 242.
Critter transformations and character development
April 2, 2018
Grizzly Tom inspired by Lydia Maria Child’s story “Pussy Malta and Grizzly Tom,” written specially for Our Dumb Animals 2: 11 (April 1870): 105. Design by Meredith Eliassen.
This story is an account of two cats that Child encountered while boarding with Joseph and Margaret Carpenter and their Quaker family while her husband David dealt with debts from a lawsuit during the 1830s. The Carpenters operated a farm and interracial household in an isolated area near New Rochelle, New York that was a stop in the Underground Railroad. The family had two cats, a slender, working, female Maltese cat names Pussy Malta and a cantankerous, infirm old cat named Grizzly Tom who had been a fixture on the farm since he was a kitten. The two cats had a fragile relationship because Tom was so disagreeable: “spitting and growling, clawing and scratching whenever he was not asleep.” Pussy Malta conversely was a hunter who was protective of her recent litter of three kittens whose eyes were still unopened. Pussy Malta kept a watchful eye on Tom while they both lapped up milk from the same trough to see what he would be up to next.
One day, Pussy Malta became very sick… and even with care, she only got worse and began convulsing. Tom, who had been asleep on the stoop heard her cries and went to see what was wrong. Tom immediately softened, laying his paw gently on her fur as if to say “I wish I could help you.” However, sadly, Pussy Malta died within the hour leaving her three kitten orphaned curled up on a piece of rug on Tom’s stoop.
Grizzly Tom assessed the situation as the mother cat grew cold and stiff, and returned to the stoop where he steadfastly watched over the brood like a foster father, protecting them until they were old enough to fend for themselves. What’s more, Grizzly Tom proved to be an extraordinarily nurturing parent, never deserting the kittens even though they often teased him, pulling his ragged fur and playing with his tail as he slept, all the while, never striking them a blow.
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